Click on the Advanced button to reveal the sequencer, modulation, and effects sections. Speaking of hidden panels, there’s plenty more to Acid V than meets the eye. Finally, there’s a hidden panel of pots for fine-tuning and modding the sound, all of which sound great. We especially liked adding slow, wonky pitch drifts to our acid lines but fast, buzzy effects are possible too. There’s also a comprehensive distortion section with vibrato, the latter of which works in tandem with the sequencer. With sine, square and ramp options at 0, -1 and -2 octaves, it’s perfect for bringing back the bass that high resonance settings will invariably steal. Most software emulations of the 303 have extras, for sure, but Arturia’s are especially welcome. Image: Arturiaįrom here on out, Arturia – as the company is wont to do – has gone to town adding new parameters to flesh out the original concept and make it more useful for modern productions. This works differently in practice than the original hardware, but we’ll address that when we come to the sequencer. Basic controls, including the waveform selector (sawtooth or square) for the single oscillator, then cutoff, resonance, filter envelope mod amount, decay and accent run in a line across the top, while the bottom is occupied by the LED-festooned keyboard. When you first open Acid V, you’re greeted with a user interface that should be instantly familiar to any acid head. The 303’s combination of simple yet powerful synthesis architecture and unique on-board sequencer has resulted in countless psychedelic dance records, with every subsequent generation rediscovering its power and charm.Īrturia has captured that power and charm extremely well. Originally released in 1982, the simple rhythm accompaniment device took off in the secondhand market thanks to Chicago acid house and later genres like acid techno. READ MORE: IK Multimedia’s UNO Synth Pro X is what the synth community deserved from the startįew synthesizers command the cult-like power of the TB-303.Arturia calls it a “corrosive bassline machine” and while its version has a very acidic pH value indeed, it also goes above and beyond gurgly expectations to deliver a contender for best software acid emulation. Into this crowded room confidently strides Arturia with Acid V, the French company’s take on the little silver box. The world of Roland TB-303 emulations is crowded, with plenty of both hardware and software recreations to satisfy your sonic lysergic cravings.
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